THE ART OF ACTING 3: Shakespeare's Verse By Daniel Foster
As most of you know, performing Shakespeare often requires the speaking of verse, usually blank verse, with a rhyming couplet at the end of certain soliloquies.

THE ART OF ACTING 4: Two Actors Dialogue

THE ART OF ACTING 5: Discipline and Commitment From Acting One By Robert Cohen
Discipline is the flip side of imagination. It is the final element in an actor's instrument and the one that should be taken for granted by the time an actor begins serious study.

THE ART OF ACTING 6: Notes From A David Mamet Workshop

THE ART OF ACTING 7: Necessary Habits For the Actor By Bob Fraser
These are bottom line (absolutely necessary) habitual behaviors that every actor must possess.

THE ART OF ACTING 8: Sample Resume from Casting Director Donise Hardy

THE ART OF ACTING 9: Sample Resume with variations

THE ACTOR'S FORUM

THE ACTOR'S LIBRARY

FILMS YOU SHOULD SEE

One of the eminent Shakespearean actors of the 20th Century gives voice to a number of Shakespeare's finest poems.

• Sonnets 9-12
• Sonnets 17-20
• Sonnets 26-29
• Sonnets 30-33
• Sonnets 49-52
• Sonnets 53-57
• Sonnets 58, 60-62
• Sonnets 69, 71, 73, 74
• Sonnets 106-109
• Sonnets 115-117, 119
• Sonnets 128-131
• Sonnets 138, 140-142